Lawrance Bernabo, for the News Tribune
Wise Fool Theater’s recreation of the infamous 1938 radio broadcast of “The War of the Worlds,” by Orson Welles and his Mercury Theater of the Air, premiered Friday night in the acoustic cathedral that is Lincoln Park Middle School’s auditorium. Writer Howard Koch gets the credit for the script that transformed the novel by H.G. Wells into a Halloween staple. But director Chani Ninneman and her cast get the credit with for actually allowing the audience to be in the studio where it happens.
If you saw "The Full Monty" the first time the Duluth Playhouse put it on, then I should tell you: There is a little bit more to see, this time around. The musical version of the 1997 hit film opened Thursday night at the NorShor Theatre and showed again how entertaining a musical about unemployment, depression, suicide, divorce, impotence and brief nudity can be.
The artwork on the program centers on the chin, collar and pearls of Charlotte von Mahlsdorf. The pearls look like a smile, but if you notice her neck, the shading provides a clue to the nature of her unique story. "I Am My Own Wife," which opens Thursday night at the Underground, is a one-person play starring Alec Schroeder, based on playwright Doug Wright's conversations with von Mahlsdorf, a German antiquarian and founder of the Gründerzeit Museum of everyday items in Berlin-Mahlsdorf.
"Much better than I anticipated." After the musical "The Toxic Avenger" opened at the Underground Theater on Thursday night, several audience members expressed their surprise at how much they enjoyed the show. Well, start spreading the word. "The Toxic Avenger" is more goofy that gross, and a show where you find yourself just sitting there smiling.
“The Music Man,” the as American as apple pie musical, opened Thursday night at the NorShor Theatre, a production totally committed to charming the audience from start to finish.
You are pretty much guaranteed to see puppets of some type in any Theatre for Young Audiences production. So it is not surprising that this summer, TYA has gotten around to providing their own take on the most famous puppet of all.
A hallmark of Lyric Opera of the North productions is that the staging is as important as the singing. With their Mozart meets the movies production of "Don Giovanni," LOON once again has a show to enchant first-timers while enthralling longtime opera devotees. Stage director Christina Baldwin setting the opera in 1930s Hollywood is a cleverly exploited conceit that pays immediate dividends as the overture is staged as shooting a movie scene. Each LOON chorus members has a distinctive studio personnel role.
The Playhouse last staged Thornton Wilder's "Our Town" in 2010. Thursday night, a new production of the classic American play opened at the NorShor Theatre, and I think American society must have advanced at least a quarter-century in those eight years. "Our Town" requires a mostly bare stage and a minimum of props. Curtis Philip's scenic design is elegantly simple: wood flooring and paneling. Mrs. Gibbs (Pat Isbell) and Mrs. Webb (Emily Parr) mime making two different breakfasts, all as mere background action.
"Sweet Charity" is about a dance hall hostess with a heart of gold who just wants to be loved. The production that opened Thursday night at the Underground has a leading lady who wins your heart plus a whole bunch of crowd pleasing dance numbers. As Charity Hope Valentine, Hayley Rosenthal doubles down on the cuteness, starting with her soliloquy and hitting her stride in "If My Friends Could See Me Now." Exceeding the adorability quotient for her character, Rosenthal's Charity becomes the first I have seen to truly deserve being called "sweet."
Something is up at Lone Star Spirits. Walter, the owner, is wearing a tie. Jessica, the jaded single mother who just wants to party might not pick up on what is in the wind, but Drew, who was the football hero back when the town actually had a high school, sure as heck notices. Then Walter's estranged daughter, Marley, walks through the door for the first time in five years, with her fiancé, Ben, in tow. Walter thinks she has come in response to a letter he wrote, but Marley has finally come calling for a different reason.