Camera trap photographer captures stunning wildlife images

Ryan Pennesi uses motion-triggered, high-end cameras and the results can be dramatic images of Northland animals in the wild.

A drumming ruffed grouse captured on a camera trap placed by Ryan Pennasi. Ryan Pennesi photo

TETTEGOUCHE STATE PARK — Ryan Pennesi has a favorite spot near this North Shore park where he hit the jackpot with wildlife sightings — a creek crossing near Tettegouche State Park.

Well, not sightings so much as trappings. And not trapping like grab the animal by the leg but camera traps, a fancy name for a fancier version of the ever-popular trail camera.

In that one spot Pennesi’s camera captured deer, wolves, coyotes, red fox, gray fox, snowshoe hare, ruffed grouse, squirrels and a badger.

Of course Pennesi never actually saw any of them. They just showed up on his little memory card when he went back a few weeks later to pull the card, stick it in his laptop and see what had happened while he was gone.


A marten captured on a camera trap placed by Ryan Pennesi. Ryan Pennesi photo.

“It doesn’t always work out that way,” Pennesi said. “It’s a lot of work and a lot of effort and most of the time I don’t get the shot I was hoping for. Some of the time I don’t get anything at all, except maybe a tree branch blowing."

Or maybe part of a bear just before the bear tries to take the camera down. One of his Pelican camera cases has permanent bear tooth marks in it. One time a bull moose attacked one of Pennesi’s camera traps.

“I didn’t realize it at the time but I had put it right on a scrape tree. So I’m not sure if he did it by accident as part of his mating thing or if he smelled human and was going after it on purpose,’’ he said.

But Pennesi still gets a thrill whenever he returns to his camera trap to check.

“To me it’s like Christmas morning whenever I open up that camera,” he said.

Two fox kits outside their den in Lake County. Flash is used to light the kits in otherwise shaded conditions. Ryan Pennesi photo.


Pennesi is part of a growing community of outdoor researchers and photographers who are using camera traps to be their eyes in the woods, to be in two or 20 places at once and get definitive evidence of wildlife behavior, or just wildlife existence in a specific place.

Cloquet hunter Sean Hall built his first homemade camera trap in 2007, using inexpensive, used point-and-shoot digital cameras, and went on to capture stunning images of all sorts of critters near his deer camp, including drumming grouse, otters, wolves, bobcats, beavers and deer. He had so many interesting images that he turned them into wildlife calendars.

In recent months we’ve seen verified trail camera footage of cougars in northwestern Wisconsin, not once but twice.

And the Voyageurs Wolf Project has captured both still and video images of wolves in Voyageurs National Park in landmark, never-before-seen situations, including a female wolf rescuing its pups from a flooding den and Minnesota wolves catching and eating fish out of a stream. (From just one camera over a few weeks — placed on a portage between Namakan and Sand Point lakes — the Voyageurs researchers collected images of multiple bears, three wolves, fox, flying squirrels, red squirrels, a pine marten, a flushing grouse, a bobcat, raccoons, bugs and some cussing canoeists portaging through mosquitoes and mud. Eventually, a bear bumped the camera so it only captured video of treetops and sky.)

T he outdoors as sanctuary

Penessi grew up in central Massachusetts, spending much of his childhood outside “catching frogs and salamanders.” He admits to being a “social introvert'’ who got nervous in public settings and would recharge by going into the woods.


“The more time I spent in the woods, the more I discovered that it was a part of my identity,’’ he noted. “Wild spaces became a sanctuary for me in my youth…”

He happened into Northeastern Minnesota somewhat by accident, but now can’t imagine leaving. In addition to photography (he’s self-taught, with help of mentors but no formal training) he’s also taken up deer and grouse hunting.

“I’ve fallen in love with this area. It has so much to offer if you like wild places, like the outdoors,’’ he said. “And the North Shore; It’s one of the most photogenic places in the world.”

Pennesi, 29, has a degree in wildlife and fisheries conservation from the University of Massachusetts at Amherst. He and his fiancee (a Minnesota girl, another reason not to leave) live in the woods between Silver Bay and Finland. His day job is a forest restoration specialist for the Superior National Forest’s Tofte District, helping plan and orchestrate tree plantings in logged areas. But his passion is photography, especially using advanced digital single-lens reflex camera (DSLRs) to make high-end camera traps.

A bobcat caught on a camera trap placed along a well-worn trail under a steep rock in a place where cat tracks were seen. Ryan Pennasi photo.

Res earch and outreach combined

Pennesi started using trail cameras to monitor wildlife in college. His first setup was on a deer carcass and he was “astounded’’ at how many critters showed up to scavenge — including fisher, coyote, barred owl, mink and fox. He’s been hooked on remote cameras ever since.

In 2013 and 2014, when he worked at Wolf Ridge Environmental Learning Center near Finland, Pennesi would ask the students to form a hypothesis about what animal lived in a certain burrow in the ground, or what animal was visiting a specific tree or leaving a track. Then they would put up a trail camera and wait for the visual confirmation.

“They make a really good teaching tool,’’ Pennesi said of trail cameras. “The students like the technology and the photos pull them into the natural world, to wildlife.”

Seeing the students' reaction inspired Pennesi to experiment with trail cameras. He’s also worked to improve his traditional (hand-held, in-person) photography skills with help from renowned Twin Cities-based nature photographer Benjamin Olson.

About five years ago Pennesi began to dabble in homemade camera traps using high-end digital cameras, remote flashes, a passive infrared motion/heat sensor hardwired to the camera’s shutter and a hard, waterproof camera case. He uses wide-angle lenses — between 10 to 35 mm — that can take in a wider field of view, a little more forgiving when you don’t know exactly where your subject is going to show up.

One of Ryan Pennesi's camera trap setups using a DSLR camera in a waterproof box on a tripod, remote flashes and a remote infrared motion/heat sensor hardwired to the camera to trigger the shutter. This is the location the bobcat was caught by the camera trap. Ryan Pennesi photo.

“Most of the time I’ll think I know how it’s going to happen. But 90 percent of the time the animal does something that’s not at all how I imagined it would happen in my head,” he said.

When it works out, the high-end cameras, with more megapixels and higher resolution, offer a much sharper image that can be enlarged and still look good. The DSLR also allows more flexibility in aperture opening and shutter speed. It’s a lot more expense: Good trail cameras can be had for $100 or less. A decent DSLR camera trap setup can cost nearly $2,000.

“I'm essentially putting a photo studio out in the woods,’’ Pennesi noted, adding that, so far, no humans have stolen any of his camera gear. “People do notice them sometimes ... I have found a few images of humans doing poses that I didn’t want to see.”

But there’s a payoff for the bigger investment. Most trail cameras are between 3 and 10 megapixels (although some newer models have more) while modern DSLRs can have 20, 30 or even more megapixels. The DSLR setups also allow better, broader use of flash, and some of the images Pennesi gets are nothing short of dramatic — portrait-quality shots, often at night, of critters in the wild that look like studio shots of stuffed animals.

If all you want to know is how big the buck is walking past your deer stand, Pennesi notes, modern trail cameras are great. But if you want to do something more with that image, the images can fall short. One of Pennesi’s goals is to sell his most dramatic camera trap photos, either as art or to wildlife magazines. But his primary motivation is using his camera traps to further science, conservation and public outreach.

“My goal is to use the images from the camera traps to help conservation efforts. To help bring research to people, to make it more accessible and useful ... to help people understand what’s going on in the natural world,’’ Pennesi said.

A gray fox captured on a camera trap at night using flash triggered by the animals movement. Gray fox are becoming more common in the Northland. Ryan Pennesi photo.

Some of what’s going on is just plain interesting, like the apparent influx of gray fox and badgers into the Arrowhead region Penessi’s camera traps have captured. But others, while also interesting, might be a sign of a changing climate or other human-caused trouble for wild critters.

“We have a huge opportunity here to use photographs of animals in the wild to help tell their story and help get people involved,’’ Pennesi said. A camera trap is “not just an important research tool. It’s an important outreach tool.”

A raccoon walks up a log over a creek, a common location to capture animals on camera traps. Ryan Pennesi photo.

Ryan Pennesi’s camera trap tips

  • Outdoors skills and woods knowledge are critical. Animal track, scat and habitat identification skills are critical to picking the best spot to capture images of what you are after.
  • Don’t alter or disturb the habitat or environment where you set up. Have the smallest possible footprint. Get in and get out quickly. Don’t bait the animals you are seeking to photograph. Don’t habituate wild animals with human activity. (Pennesi does use road-killed deer, with permission of DNR conservation officers, for some research projects.)
  • Camouflage the camera and other gear as much as possible and leave as little scent in the area as possible. (Another reason to get in and out quickly.)
  • The best places to set up camera traps are obvious game trails, especially where game trails intersect. But also look for natural “pinch points” where animals have to avoid steep cliffs, water or other obstacles. Look for the edges of woods, where woods and fields meet, or where two types of forest meet.
  • Water is often a magnet for wildlife. Logs laying across streams (in open water season) are remarkably well used. Beaver dams are like freeways for critters looking to cross ponds and streams.
  • Don’t point your camera east or west or the sun will wreak havoc with your photos. It’s best to point cameras north if possible. Set up cameras in fully shaded areas and use flash to avoid overexposure caused by strange sun angles that occur in open spaces.
  • Leave your camera in the woods for a few weeks or even a month without disturbing the site. The longer you leave it, the better the chances you’ll capture something good.

A snowshoe hare, captured on a camera tap at night using a flash. The hare was in a dense forest of balsam fir trees. Ryan Pennesi photo.

John Myers reports on the outdoors, natural resources and the environment for the Duluth News Tribune. You can reach him at
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